![]() “In her case, it was a little bit of both.”Īlso Read: The Grammys' Broken Record: Adele's Big Night Leaves Beyonce on the Sidelines Yet Again “Some artists are more understanding of that, and some aren’t.” He paused. “It’s a process, because there are certain things we cannot do,” he said. We encourage that.”īeyonce’s team, he said, shot all the video projections that were used in the number, working with Grammy staffer Drew Finley on the concept and execution. ![]() “And she’s got a large creative team who have been very involved in the creation of what she does the last couple of times they’ve been on the show. “She’s become a director, and she knows what she wants,” he added. The lavish concept was based around the idea of motherhood, and it incorporated the songs “Love Drought” and “Sandcastles” from Beyonce’s “Lemonade” album. “But I have a tough time not going the extra mile for Beyonce.”Īlso Read: Fans Blown Away by Beyonce's Golden-Goddess Grammy Performance “It was an incredibly complicated concept to deliver,” said Ehrlich, who has worked on the Grammys for 37 years and recently extended his contract with the show through 2020. It also took weeks to plan and execute, Grammys executive producer Ken Erlich told TheWrap on Monday morning. ![]() Beyonce’s performance on the Grammy Awards on Sunday night was the longest and most elaborate of the show’s 20 musical numbers, an extravaganza that used visual effects, a cast of dozens and enough flowers to blanket the huge Staples Center stage.
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